Selected Writings, Lectures and Interviews


Dániel Péter Biró, “Emanations: Reflections of a Composer” in Schönheit (Konzepte 2), Gunnar Hindrichs, ed. Frankfurt am Main: Klostermann, 2016.

Dániel Péter Biró, “Ehyeh Asher Ehyeh: The Future of Historicized, Nonrepresentational New Music.”
Keynote Lecture: New Tendencies of Contemporary Music in Germany
Harvard University Department of Music
February 28, 2015

D.P. Biro and P. Van Kranenburg, ” A Computational Re–Examination Of Bela Bartok’s Transcription Methods as Exemplified by his Sirato Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur’an Recitation.” in Holzapfel, A. (ed.). Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Istanbul : Bogazaci University, 2014, pp. 70-77.

D.P. Biró, P. van Kranenburg, S.R. Ness, G. Tzanetakis, and A. Volk. “Stability and Variation in Cadence Formulas in Oral and Semi-Oral Chant Traditions – a Computational Approach.”  Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. Thessaloniki. 2012. pp. 98-105.

Dániel Peter Biró, “In Memoriam James Avery” in Search – Journal for New Music and Culture, 2009.

Dániel Péter Biró, “Remembering and Forgetting Lizkor VeLiskoach for String Quartet, after Schubert” in Circuit, Musique Contemporaines, Winter 2007.

Dániel Péter Biró, Slowly Watching MemoryAn Analysis of Morton Feldman’s ‘Rothko Chapel,'” presented at the Third International Conference on Jewish Music in London, UK 2000.