Selected Writings, Lectures and Interviews


Komponieren als Erweiterung des Bewusstseins –
Der Ethica-Kompositionszyklus
Radio Program, Broadcast on May 2, 2023 23:03
Essay, SWR2

Biró, Dániel Péter, and Peter Van Kranenburg. “Composing Spinoza’s Ethics: Charting a Migration of Spirit Through Sound” in Performing, Engaging, Knowing: Proceedings of the 7th Study Group Meeting of the ICTM Study Group on Applied Ethnomusicology, Lucerne University of Applied Sciences and Arts, Lucerne, Switzerland.

“The Practice of Teaching Composition” in Revista Vórtex 8 (1:2020):1-11. 

Live-Electronics at Work: The EXPERIMENTALSTUDIO des SWR, edited by Dániel Péter Biró, Jonathan Goldman, Detlef Heusinger and Constaze Stratz. Hoffheim, Wolke: 2019.

Dániel Péter Biró, “Emanations: Reflections of a Composer” in Schönheit (Konzepte 2), Gunnar Hindrichs, ed. Frankfurt am Main: Klostermann, 2016.

Dániel Péter Biró, “Ehyeh Asher Ehyeh: The Future of Historicized, Nonrepresentational New Music” Keynote Lecture: New Tendencies of Contemporary Music in Germany
Harvard University Department of Music, February 28, 2015

The String Quartets of Béla Bartók: Tradition and Legacy in Analytical Perspective, edited by Dániel Péter Biró and Harald Krebs. Oxford: Oxford University Press, 2014.

D.P. Biro and P. Van Kranenburg, ” A Computational Re–Examination Of Bela Bartok’s Transcription Methods as Exemplified by his Sirato Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur’an Recitation.” in Holzapfel, A. (ed.). Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Istanbul : Bogazaci University, 2014, pp. 70-77.

D.P. Biró, P. van Kranenburg, S.R. Ness, G. Tzanetakis, and A. Volk. “Stability and Variation in Cadence Formulas in Oral and Semi-Oral Chant Traditions – a Computational Approach.”  Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. Thessaloniki. 2012. pp. 98-105.